Intellectual Property Enforcement and Its Fiscal and...

Introduction Collectively, the Directors Guild of America (DGA), the International Alliance of Theatrical Stage Employees (IATSE), the Writer’s Guild of America, East and West (WGAw, WGAe), and the Screen Actors Guild–American Federation of Television and Radio Artists (SAG-AFTRA) represent approximately 331,000 directors, actors, craftspeople, performers, tech developers, writers, and others whose creativity is the American entertainment industry’s beating heart. This number does not include the near infinite untold global artists whose intellectual property, which they pour their body and soul into. They are among their fellow artists who suffer daily at the hands of the infinite nameless faceless thieves. The entertainment†¦show more content†¦IP theft delivers an injurious, and to many, a crushing economic blow by constricting artists’ employment availability; moreover, by siphoning their downstream revenue. However, there are also fewer tangible costs fro m IP theft. These costs cannot be quantified fiscally pursuant to the Notice, (OMB) but they are equally important to the cost-effective analysis between IP enforcement and its ultimate cost. What cannot be wholly quantified within a limited forecast is the unquantifiable value that creativity bestows to global society and culture, the cornucopia of creativity that thrives in societies with strong and enforceable Intellectual Property laws, and the impact of IP theft on the creative, fundamental rights that directors, actors, craftspeople, performers, tech developers, and writers hold with respect to their work. It is compulsory to calculate these non-economic costs into not only the next Strategic Plan, but also legislation, and The United Nations’ World Intellectual Property Organization’s (WIPO) policies weighted along economic considerations. This geyser of illegal activity that affects so many is not just about yesterday, today and tomorrow, and not just the Internet; but also about artistic creativity, the global economy, free expression, and a flourishing civil society. Dating back toShow MoreRelatedEnvironmental, Political, Economical, And Cultural And Social Culture Of Morocco1603 Words   |  7 PagesEnvironmental, political, economical, and cultural and social Morocco is a country located in Northern Africa, boarding the North Atlantic Ocean and Mediterranean Sea. It lies between Algeria and West Sahara and is slightly longer than California. The capital of Morocco is Rabat. The terrain includes mountainous northern coast and interior bordered by large plateaus with intermountain valleys, and fertile coastal plains. 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